28/09/2010

WOMEN IN THE WARSAW UPRISING.1944

od 03.09.2010 do 06.10.2010, park Dreszera, Warszawa

wystawa: powstanki.1944 czyli sceny z zycia kobiet w Powstaniu Warszawskim 


from  03.09.2010 until 06.10.2010, park Dreszera, Warsaw

my exhibition: Powstanki.1944 - Scenes from the lives of women in the Warsaw Uprising 


WOMAN IN THE WARSAW UPRISING is about a life that had a very fragile structure. Life that had to go on despite being more fleeting than ever. I wanted to capture and freeze the passing moments of their lives. Where each moment could well be their last. 


project includes 13 billboards (120/90cm each)

(photo alan willmann)


WOMEN IN THE WARSAW UPRISING.1944





30/08/2010

some of the billboards: WOMEN IN THE WARSAW UPRISING.1944.08

WOMEN IN THE WARSAW UPRISING.1944.07

WOMEN IN THE WARSAW UPRISING.1944.06

WOMEN IN THE WARSAW UPRISING.1944.04

WOMEN IN THE WARSAW UPRISING.1944.01

WOMEN IN THE WARSAW UPRISING.1944





LAST MONDAY

LAST MONDAY -mural painting (visual memory)


LAST MONDAY is about to freeze the passing moment of an average day. I am interested in everyday moments that will never be repeated and will most likely be lost to memory becouse of their lack of great meaning. In LAST MONDAY I brought such a moment back to people and then made it disappear again. The practical part of the project consisted of photographical documentation of people passing by the wall of gallery one Monday before the exhibition this piece was part of. Then I transformed the pictures into mural that was painted and exhibited on the same wall a week after I had taken pictures. The day after I painted wall white again.

LAST MONDAY 07

LAST MONDAY 05



LAST MONDAY 06

LAST MONDAY 04

LAST MONDAY 03

LAST MONDAY 02

LAST MONDAY 01

19/07/2009

monster 01, 2009, acrylic on paper, 21/29,7cm

boxing, 2009, acrylic on paper, 21/29,7cm

trans, 2009, acrylic on paper, 21/29,7cm

naked, 2009, acrylic on paper, 21/29,7cm

crime commited, 2009, acrylic on paper, 21/29,7cm

under constraction, 2009, acrylic on paper, 21/29,7cm

self-defence, 2009, acrylic on paper, 21/29,7cm

I take care of everything, 2009, acrylic on paper, 21/29,7cm

she doesn't exist, 2009, acrylic on paper, 21/29,7cm

inclination, 2009, acrylic on paper, 21/29,7cm

Krynica Morska beach, 2004, acrylic on paper, 21/29,7cm

unguarded beach, 2004, acrylic on paper, 21/29,7cm

unknown woman, 2004, acrylic on paper, 21/29,7cm

tv at night, 2004, acrylic on paper, 21/29,7cm

workers, 2004, acrylic on paper, 21/29,7cm

Unknown man, 2004, acrylic on paper, 21/29,7cm

babies, 2002, acrylic on paper, 21/29,7cm

Pola's mother hair, 2002, acrylic on paper, 21/29,7cm

pola from st.petersburg, 2002, acrylic on paper, 21/29,7cm

project: How to apply blush? 2007

How to apply blush?

Participants: Ola Misztur and Anna Czarnota

(All works are the result of collaboration between the artists)

In the creative process two strong personalities were struggling.

A question arose how far one can get in discarding one’s individuality .

A question where this leads.

As a result of this jostle all that is weak in them remained on the canvas.

Gradually, the good and acknowledged elements of the pictures disappeared.

One’s personality and previous features got lost .

Only what is left in between the stages remained.

Things that are usually not exposed, turned back against the wall.

Things that we usually refuse to discuss.

To expose to the public view one’s weaker sides and one’s doubts is not a common thing to do.

The stronger is the challenge.

See what we look like in between, caught questioning ourselves how to apply blush?

Child with Potatoes , 2007, acrylic on canvas